{"id":1944,"date":"1998-12-05T10:39:04","date_gmt":"1998-12-05T10:39:04","guid":{"rendered":"https:\/\/www.mingtsao.net\/?p=1944"},"modified":"2026-05-05T15:55:15","modified_gmt":"2026-05-05T15:55:15","slug":"rhythmic-study-1","status":"publish","type":"post","link":"https:\/\/www.mingtsao.net\/de\/rhythmic-study-1\/","title":{"rendered":"Rhythmic Study #1"},"content":{"rendered":"<p><\/p>\n<h1>1998<\/h1>\n<h4>Titel: Rhythmic Study #1\u2028<br \/>\nInstrumentation: Ensemble<br \/>\n\u2028Jahr: 1998\u2028<br \/>\nDauer: 2 Min.\u2028<br \/>\nUrauff\u00fchrung: Long Beach, USA 1998\u2028<br \/>\nInterpreten: Nieuw Ensemble<\/h4>\n<script type=\"text\/javascript\">\/* <![CDATA[ *\/ psTimeout[1]=5000;psAutoplay[1]=true;psTrans[1]='fade';psLoop[1]=true;psSpeed[1]=400;\/* ]]> *\/<\/script>\n\t\t<div id=\"slideshow-wrapper1\" class=\"slideshow-wrapper clearfix fluid\"><div id=\"slideshow-nav1\" class=\"slideshow-nav\"><a class=\"slideshow-prev\" href=\"javascript: void(0);\">Prev<\/a><span class=\"sep\">|<\/span><a class=\"slideshow-next\" href=\"javascript: void(0);\">Next<\/a><span class=\"slideshow-info1 slideshow-info\"><\/span><\/div><!-- .slideshow-nav-->\n\t<div id=\"portfolio-slideshow1\" class=\"portfolio-slideshow\">\n\t<div class=\"slideshow-next slideshow-content\">\n\t\t\t<a href=\"javascript: void(0);\" style=\"border-bottom:none\" class=\"slideshow-next\"><img loading=\"lazy\" decoding=\"async\" class=\"psp-active\" data-img=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Rhythmic-Study-No1_1998-1.png\" src=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Rhythmic-Study-No1_1998-1.png\" height=\"563\" width=\"1000\" alt=\"Rhythmic Study No1_1998-1\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Rhythmic-Study-No1_1998-1.png\" height=\"563\" width=\"1000\" alt=\"Rhythmic Study No1_1998-1\" \/><\/noscript><\/a><div class=\"slideshow-meta\"><div class=\"slideshow-description\"><p><em>Rhythmic Study #1<\/em> (Ming Tsao, Edition Peters, m. 6)<\/p>\n<\/div><\/div><\/div>\n\t\t\t<div class=\"not-first slideshow-next slideshow-content\">\n\t\t\t<a href=\"javascript: void(0);\" style=\"border-bottom:none\" class=\"slideshow-next\"><img loading=\"lazy\" decoding=\"async\" class=\"psp-active\" data-img=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Galois.png\" src=\"https:\/\/www.mingtsao.net\/wp-content\/plugins\/portfolio-slideshow\/img\/tiny.png\" height=\"563\" width=\"1000\" alt=\"Galois\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Galois.png\" height=\"563\" width=\"1000\" alt=\"Galois\" \/><\/noscript><\/a><div class=\"slideshow-meta\"><div class=\"slideshow-description\"><p>\u00c9variste Galois, Manuskript (ca. 1830), das die Grundlagen der modernen Algebra enth\u00e4lt.<\/p>\n<\/div><\/div><\/div>\n\t\t\t<div class=\"not-first slideshow-next slideshow-content\">\n\t\t\t<a href=\"javascript: void(0);\" style=\"border-bottom:none\" class=\"slideshow-next\"><img loading=\"lazy\" decoding=\"async\" class=\"psp-active\" data-img=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Rhythmic-Study-No1_1998_2.png\" src=\"https:\/\/www.mingtsao.net\/wp-content\/plugins\/portfolio-slideshow\/img\/tiny.png\" height=\"563\" width=\"1000\" alt=\"Rhythmic Study No1_1998_2\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Rhythmic-Study-No1_1998_2.png\" height=\"563\" width=\"1000\" alt=\"Rhythmic Study No1_1998_2\" \/><\/noscript><\/a><div class=\"slideshow-meta\"><div class=\"slideshow-description\"><p><em>Rhythmic Study #1<\/em> (Ming Tsao, Edition Peters, m. 11)<\/p>\n<\/div><\/div><\/div>\n\t\t\t<div class=\"not-first slideshow-next slideshow-content\">\n\t\t\t<a href=\"javascript: void(0);\" style=\"border-bottom:none\" class=\"slideshow-next\"><img loading=\"lazy\" decoding=\"async\" class=\"psp-active\" data-img=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Theorem.png\" src=\"https:\/\/www.mingtsao.net\/wp-content\/plugins\/portfolio-slideshow\/img\/tiny.png\" height=\"563\" width=\"1000\" alt=\"Theorem\" \/><noscript><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mingtsao.net\/wp-content\/uploads\/1998\/12\/Theorem.png\" height=\"563\" width=\"1000\" alt=\"Theorem\" \/><\/noscript><\/a><div class=\"slideshow-meta\"><div class=\"slideshow-description\"><p>\u201eSatz 7.3.6\u201c aus dem Buch \u201eAbstract Musical Intervals\u201c, der eine Abbildung von einer als Polyrhythmen definierten Intervallmenge auf eine andere, durch metrische Gruppierungen definierte Intervallmenge erm\u00f6glicht.<\/p>\n<\/div><\/div><\/div>\n\t\t\t<\/div><!--#portfolio-slideshow--><\/div><!--#slideshow-wrapper-->\n<p>\u201eRhythmic Study #1\u201c nutzt Konzepte der Galois-Theorie, um Transformationen zwischen Rhythmus \u2013 dargestellt durch polyrhythmische Gruppierungen \u2013 und Takt zu erzeugen. Diese kurze Komposition ist eine konzentrierte Untersuchung des dynamischen Zusammenspiels zwischen polyrhythmischen Gruppierungen als lokale Tempoverschiebungen und gr\u00f6\u00dferen metrischen Gruppierungen, die einen Raum umschlie\u00dfen, in dem sich symmetrische Beziehungen entfalten k\u00f6nnen.<\/p>","protected":false},"excerpt":{"rendered":"<p>1998 Titel: Rhythmic Study #1\u2028 Instrumentation: Ensemble \u2028Jahr: 1998\u2028 Dauer: 2 Min.\u2028 Urauff\u00fchrung: Long Beach, USA 1998\u2028 Interpreten: Nieuw Ensemble \u201eRhythmic Study #1\u201c nutzt Konzepte der Galois-Theorie, um Transformationen zwischen Rhythmus \u2013 dargestellt durch polyrhythmische Gruppierungen \u2013 und Takt zu erzeugen. Diese kurze Komposition ist eine konzentrierte Untersuchung des dynamischen Zusammenspiels zwischen polyrhythmischen Gruppierungen als [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1983,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"passster_activate_protection":false,"passster_protect_child_pages":"","passster_protection_type":"password","passster_password":"","passster_activate_overwrite_defaults":"","passster_headline":"","passster_instruction":"","passster_placeholder":"","passster_button":"","passster_id":"","passster_activate_misc_settings":"","passster_redirect_url":"","passster_hide":"no","passster_area_shortcode":"","footnotes":""},"categories":[3],"tags":[],"_links":{"self":[{"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/posts\/1944"}],"collection":[{"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/comments?post=1944"}],"version-history":[{"count":5,"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/posts\/1944\/revisions"}],"predecessor-version":[{"id":1996,"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/posts\/1944\/revisions\/1996"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/media\/1983"}],"wp:attachment":[{"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/media?parent=1944"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/categories?post=1944"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mingtsao.net\/de\/wp-json\/wp\/v2\/tags?post=1944"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}